Silence of the Lambs (W/Dvd) (Ws) [Blu-ray]

Silence of the Lambs (W/Dvd) (Ws) [Blu-ray] Review

This is a great scary film with good acting from Jodie Foster and Anthony Hopkins.
this film won the 5 main oscars Best picture
Best director Johnathan Demme
Best screenplay
Best actor Anthony Hopkins
Best actress Jodie Foster
In conclusion this is one of my favorite film adaptions from a book.
this is about a woman redeaming herself.An FBI trainie named Clarice Starling [Foster] is scent by Jack Crawford [Scott Glenn] to study with an imprisoned phycopath called Hannibal Lecter [Hopkins] who gives her clues to solve the case on a serial killer known as Buffalo Bill [Ted Levine]. Who currently has kidnapped A senator's Daughter and Imprisoned her in a well.Then Crawford makes a faulse deal with Lecter a transfer to a prison eventualy senator Martin makes a real deal with the help of DR Chillton[Anthony Heald] who moves Lecter to Memphis with a profile on Bill and hot on his trail meanwhile Clarice finds clues ralated to buffalo bill.

Silence of the Lambs (W/Dvd) (Ws) [Blu-ray] Overview

Based on Thomas Harris's novel, this terrifying film by Jonathan Demme really only contains a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat), and he hasn't forgotten the significance of tone, atmosphere, and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh

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